How to stay writers without editors nor readers


Putting independent publications or small publishers in order in the ocean is a bold project, to say the least. There are a lot of websites, groups, associations, which aim to increase and spread the reading fever. In another post, I questioned myself whether there has ever been a thriving period in our country to read. Have Manzoni, Alighieri – as not to distance themselves from the classics and clichés – in their time seen their works being consumed by hardened readers? writers

The first fact is that a work – whatever it may be and whatever its subject matter is – needs time. I don’t know how much a publisher does enough to resist a book of traditional publishing. We live in the hit-and-run age and consumption. It’s hard for a publication to fail to do so. Let’s be clear: a book is a product, the great publisher says the opposite (and could not be otherwise), but that’s it. A product has its seasonality; a work stands the contrast with time.

For these reasons (and for many other) an author who chooses the road of self-publishing must not to have haste, but work to make sure that his masterpiece (everyone believes he wrote one) resists. How? I don’t know it, otherwise, I would be one of the most read. writers

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An advantage of self-publishing, moreover, is that you can always update your own book and practice what you learn over time. For now, I have only done so with a title, Stelle di Polvere (Stars of Dust). It works (the method) even if it still doesn’t sell. Oh, at least consistency is safe.

The second fact is that often works (of independent authors and small publishers) are lost in the sea of groups, websites, and associations that promote reading and to which I have referred at the beginning. How can you highlight your work? I have to repeat myself: I don’t know. Also, in this case, there are countless tips, the web is fundamental, but dispersive as well. An independent (or not) writer must learn to write. To do this, it may take a lifetime.

Writing means building a story, documenting oneself, collecting notes, rewriting several times. And then reviewing, proofreading, and perfecting editing, two aspects that are different. And I write in this way, in synthesis. An independent writer, in addition, must learn a path of promotion and all that already done by the recognized experts.

Often, more, and more often, reference is made to the uselessness of writing and it is an aspect to consider, at least not to give in to frustration.

I believe that if not everything, much is tied to one’s ego. Why do you write? Do you want to be read or do you want to receive satisfaction with selling some copies? Yes, because selling and reading are not things that go hand in hand. If you are satisfied with being read, there is the possibility of writing for free on the web and possibly, write shortly. However, it is not always the case that the results are there. In short, say it: writing is self-injurious!

Writing and publishing are mainly different works. You have to learn them both if you are independent writers. We can experiment with new approaches, but we must make mistakes, try again and observe ourselves. And wait for time to take its course and for the passion to resist, as well as the work.

We need to reflect on the role of the writer in society and in his own age. In a system and in an historical period in which every aspect is consumed and thrown away, where they have taught us that time is money and therefore, this too comes and disappears, why should anyone else spend money indeed, time to read?

I have already written it and I repeat, regarding promotion, marketing, and patience on the path of your own book that it is not wrong to consider religious texts or sacred scriptures. We are talking about group readings that have passed the complicated temporal space.

Someone might consider you crazy, but everyone should invent a personal speaker’s corner, equip themselves with a wooden box (which is resistant), climb and read out their book. At the park, in a subway station or at a bus station. If you are shy, wear a pair of glasses. It helps. Sooner or later a bystander will stop to listen to you, but make sure that they do not wear a white gown.

In recent years, with the arrival of the self-publication, it has been thought that the publisher was an outdated figure and that a writer could do without it. Now, I ask myself: can a writer do without the reader, too, and remain a writer?

Luciano Bianciardi, one who has given us some ideas, wrote Do Not Read the Books, Let Them Tell.

So, to be self-referential, an attitude that I do not recognize myself, I have begun to publish on the web some films in which I read short passages of my writings. This did not bring too exciting results because I had to learn to read what I had written.



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