Cages

 

 

 

 

 

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NOTES

It’s a delicate tale, a rear-wheel drive, which means that it’s counterbalanced by a heavy project on its back.

The main character is a mean, I needed a character in which I could pour hidden resentments, fears and also neighbor’s curiosities.

Omar doesn’t tell a story of integration because he’s already an Italian citizen. Born in Rome from an Italian mother and a Kenyan father, his is an incident of deep introversion.

Omar learnt from his parents, both doctors, not to conceive a job just as a living source, so he divides the salary as a hotel operator in small donations to the onlus associations that operate in poor countries. In his mailbox there arrive letters of structures that there are in those lands, where every need is absolute and he can’t do anything but attend depressed to the contradictions of the society in which he was born, he grew up and lives.

The constant activity for those in difficulties makes him inflexible on others’ superficiality and his ability to look far gets him to lose contact with things close to him, isolating him much more.

The cages are brain-made and concern limits of each one of us. They influence us as dead weights, they don’t let us fully live our lives.

What is best about Omar, his solidarity to the others, is also his flaw, the absence of lightness.

Mumba also deals with the concept of faith. It’s a concept he can’t grasp, suspended between his own materialistic confusion and a vague benevolence that guides him. It’s the predicament on the sense of existence, that contrast on the promise of a better life in another realm and the immediate answers needed on Earth.

 

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